This browser is no longer supported. Download Microsoft Edge More info. Microsoft Typography documentation Microsoft Typography group researches and develops font technologies and supports the development of OpenType fonts by independent type vendors.
Microsoft Typography Develop fonts, find existing fonts, and license fonts from registered vendors. Microsoft Typography What is Microsoft Typography? Mada typeface comes with many OpenType features including stylistic sets.
The typeface comes with an extensive set of ligatures and OpenType features such as swash and stylistic alternates. Arabic, Farsi, Urdu, in addition to Kurdish are supported. Abdo Line is a simple Naskh font. It provides one of the best Arabic fonts for books and magazines.
Accurate design and clarity of reading and writing space-saving, it comes in sixth weights: Thin, Light, Regular, Bold, Heavy and Black. This is an OpenType Font supporting Arabic, Persian, Urdu Languages and compatible with the various operating systems and modern software. It is useful for book titles, creative designs, and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Kufi fatmic where horizontal parts are equal than vertical ones.
The font is based on Kufi Fatmic calligraphy along with some derived ideas of decorative fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in some parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Pashtu, Kurdish Sorani, Kurdish Kirmanji and Urdu, consisting only one weight which can add to the library of Arabic Kufic fonts contemporary models that meet with the purposes of various designs for all tastes.
They were living on the coastal areas of Palestine, Lebanon, and Syria. Since they were traders and they were sailing throughout the Mediterranean, their middle eastern font had an influence on all the cultures and nations in the Mediterranean.
The Middle East was located at the center of the Ancient World, which also played a big role in the spread of the alphabet, and this is how the Phoenician alphabet is the mother of both Latin, and Arabic scripts, which are used for Arabic fonts today, as a base. You will find anything, from an Arabic style font to Arabic script font, and even Arabic calligraphy fonts as well. Nowadays, most of the text typefaces that are available are based either on the Thuluth or the Naskh style.
Older styles, such as Diwani, Maghrebi, and Kufi, are found in display typefaces. We will discuss all of them below. Back in BC, the early alphabet had 22 consonants and no capital letters, and it was written from right to left. It was born in Byblos, on the coast of Lebanon. In BC, the Aramaic alphabet originated from the Phoenician one. In AD, the Syriac alphabet was created in Mesopotamia, and it originated from the Aramaic and had 22 letters.
The early Arabic alphabet only began to appear in Kufa, Iraq, during the middle of the first century. The Old Kufi had around 17 letter forms, and no accents or diacritic dots.
Later, they were added, primarily to help with pronunciation, resulting in the set of letters rising to 29, including the Hamza. In various Arabian cities, which had different writing tools and techniques, several Arabic calligraphic styles developed. Some of the most known ones include:. The Arabic alphabet has 29 consonants, and 11 vocalization marks, in the shape of accents. The structure has only 19 basic shapes, but the letters actually change their shape, according to the position in the word which can be initial, medial, final, or isolated , and the resulting number of glyphs comes out at There are 23 letters with four alternative shapes, as well as 7 with two alternative shapes.
If you also add the two ligatures of Lam-Alef, that number rises to And, since the alphabet is also used in several non-Arab languages, there are even more alterations to the letter, in order for it to represent all the extra non-Arabic phonetics. This gives us a new number of glyphs, And, the number of glyphs can increase even further if you add up the combinations within the letters if the typeface wants to mimic the Arabic calligraphy font script completely.
So, according to the specific typeface, you can begin with glyphs, and end up in the hundreds. The business demand for a specific language can vary, but you will find that nowadays, Arabic is one that is pretty busy. It is, after all, the official language of 26 countries, the first language of more than million people, and the second language of some million more. An interesting trend nowadays is the design of Arabic font styles that are tailored to match some English typeface that is already present.
These are actually powerful fonts, that can be used to set both English style font, and Arabic, in harmony. Meanwhile, Linotype comes with an Arabic font around Neue Helvetica, and another one around Frutiger. These are two pretty modern Arabic fonts, that follow their Roman equivalents, as far as the harsh geometries go.
They have a corporate feel, and if you want to use them for signage, they would be ideal. They also include support for Farsi, as well as Urdu although only in the form of Naskh. At this point, the Arabic type industry is actually booming, and it will continue to do so in the next few years as well.
The awareness is growing, especially in the Arab nations, and so is the number of professional Arabic type designers. If you like this article about Arabic fonts, I have several articles about western fonts featuring cool fonts , fonts for logos , bold fonts to use as headlines , and several more. The largest selection of curated resources for designers.
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We tried our best to find the best matching fonts of Proxima Nova font family. Adrian Frutiger designed Avenir in , after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century. Azo Sans is a new sans serif loosely based on the elementary forms of geometry.
Azo Sans is full of nuances that soften the strictness of pure geometry, making the typeface more human and pleasant to read in longer body text, while maintaining a sober and rational appearance. Azo Sans comes in six weights from Thin to Black, with a matching cursive italic for every weight.
The starting point for the collection, Cera Pro is distilled from elementary shapes and brings simplicity, elegance and a certain warmth wherever a contemporary geometric typeface is needed. Core Sans A Family from S-Core is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions.
The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Gotham is a geometric sans-serif typeface family designed by American type designer Tobias Frere-Jones and released from Gotham has a relatively broad design with a reasonably high x-height and wide apertures.
Since creation, Gotham has been highly visible due to its appearance in many notable places. Introducing to you a sans serif typeface family. I think it is good for many different jobs.
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